Halfstraddle Blog

Half Straddle: "Ancient Lives" residency

By Lumi Tan

Aug 11, 2014

In their newest live performance project, the Half Straddle ensemble led by artistic director Tina Satter will be in residence over an 8-month period at the Kitchen to create and rehearse the varying layers of their new piece which include video mise en scene, video interactions, a live choral score, and live performative elements. Operating essentially as a Half Straddle Experimental Pop-Up T.V. / Movie Studio, these work days will be open to the public to watch the elements going into the rehearsal, music rehearsal, and/or video shoots being held on those days – and offer a meta-view of the company’s process; the layering in of specific aesthetic interests including the look-and-feel of the overall design, make-up, and costumes; and new experimentation with video, leading up to the ... Read On

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Announcing The Kitchen's Fall 2014 Season

By The Kitchen

Aug 7, 2014

The Kitchen is pleased to announce the release of their fall season from September 5–December 13. Executive Director and Chief Curator Tim Griffin said, “The fall season is among the most ambitious presented by The Kitchen, in terms of artists’ incredible undertakings of new directions in their work. In fact, what’s particularly remarkable as a common thread among these artists is a desire to engage and, in many cases, overturn established narratives both in art and culture more generally. We can’t wait to see what stories unfold.” The season begins with the U.S. premiere of Berlin-Based artist Lothar Hempel’s Mäusebunker, a science-fictional film in the vein of Chris Marker, featuring figures from the Berlin art scene and presented with live dance. Genre-blurring art continues with “M... Read On

Bessie Blog

The Kitchen Congratulates Artists on the Bessies

By The Kitchen

Jul 18, 2014

The Kitchen congratulates Jen Rosenblit on her New York Dance and Performance Award (“Bessie”) for Outstanding Emerging Choreographer in recognition of her a Natural dance presented at The Kitchen in May! Members of the Bessie Award Committee described Rosenblit’s work as “a confident voice investigating the fluidity of identity, the pulse of time, and the nature of what it is to dance.” This award was given yesterday at the press conference for the New York Dance and Performance Awards.  Gillian Walsh was also nominated for Outstanding Emerging Choreographer for her piece Grinding Equations; Two Duets at Abrons Arts Center, a piece that combined formal structure with moments of swagger. Gillian participated in Dance and Process at The Kitchen in June.  Several artists ass... Read On

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The Shoot by Courtesy the Artists

By Katy Dammers

Jul 10, 2014

This week Courtesy the Artists (Malik Gaines and Alexandro Segade) will be in residence at The Kitchen rehearsing scenes and filming video for The Shoot, their contribution to our current exhibition based on Jules Dessin’s 1974 film The Rehearsal. Taking up intriguing connections between 1973 student protests at the Athens Polytechnic Institute and the 2011 Pepper Spray Incident at the University of California, Davis, the collaborative will present movement exercises, song, and collaborative scripts, in which gallery visitors are encouraged to take part. The Shoot takes place through Friday, July 11, from noon to 6pm. Katy Dammers: What was the impetus for starting Courtesy the Artists? Malik Gaines: Mainly moving to New York a couple of years ago. This was a more flexible way for u... Read On

Fase Blog V2

From the Archives: De Keersmaeker's Fase

By Katy Dammers

Jul 3, 2014

Beginning this summer, The Kitchen staff will be presenting selections from our archives, much of which has remained entirely unseen for decades. Taking up subjects ranging from dance and music to exhibitions and talks, this continuing series will occasionally be accompanied by rare photographs and footage unearthed as we prepare to transfer these invaluable documents to the Getty Archive for their preservation. Please check in often to see what gems we uncover!    In 1981, Anne Teresa De Keersmaeker traveled outside of Europe for the first time to study dance at New York University’s Tisch School of the Arts, where the twenty-one-year-old choreographer quickly became fascinated by minimalist music and dance’s blatant rejection of narrative, the dominant choreographic st... Read On

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