No Longer Showing.
In the New York premiere of Work No. 1020, Turner Prize-winning artist Martin Creed choreographs a piece for classically trained dancers featuring live music. Using video and music composed by Creed and played by his band, Work No. 1020 is performed by five dancers who are restricted to using the five core classical ballet positions, each of which are ascribed a musical note. By limiting the dancers to the five positions, Creed establishes a tight framework in which to examine the changing effects of time, speed, and direction.
Dance programs at The Kitchen are made possible with support from Mertz Gilmore Foundation, The Jerome Robbins Foundation, The Harkness Foundation for Dance, and with public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Feb 01 2016
The Kitchen is fortunate to have had a long history with the composer, trombonist, and scholar George Lewis; he first performed here in 1979, and then took on the role of Music Curator from 1980-1982. During this time, he programmed such seminal artists as Julius Eastman, Douglas Ewart, Julius He...Read On
Jan 25 2016
Quicksand furthers Robert Ashley’s distinct and innovative investigation of the American language in a musical setting. Using his signature blend of speech and song, it tells the story of a composer who has been coerced by a Government Agency (the “Company”) to serve as a low-level “courier” (or ...Read On
Dec 09 2015
Big Dance Theater has had a profound impact on the New York performing arts scene since its establishment in 1991, challenging the boundaries of the form and pioneering a new level of hybridity. Co-Artistic Directors Annie-B Parson and Paul Lazar have used the medium of dance to explore the relat...Read On