No Longer Showing.
In the New York premiere of Work No. 1020, Turner Prize-winning artist Martin Creed choreographs a piece for classically trained dancers featuring live music. Using video and music composed by Creed and played by his band, Work No. 1020 is performed by five dancers who are restricted to using the five core classical ballet positions, each of which are ascribed a musical note. By limiting the dancers to the five positions, Creed establishes a tight framework in which to examine the changing effects of time, speed, and direction.
Dance programs at The Kitchen are made possible with support from Mertz Gilmore Foundation, The Jerome Robbins Foundation, The Harkness Foundation for Dance, and with public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Aug 18 2015
Choreographer koosil-ja and her collaborator Geoff Matters spoke with Assistant Curator and Archive Manager Katy Dammers about their new piece I am capitalism premiering at The Kitchen this fall. They consider the origins of this work and its place within koosil-ja’s long history at The Kitchen...Read On
Aug 17 2015
On the evening of November 3, three days before the 1984 presidential election between the incumbent President Ronald Reagan and former Vice President Walter Mondale, Republican candidate Reagan made a grand appearance on the New York City skyline. Or rather, his hand did, extracted from an image...Read On
Aug 10 2015
The acclaimed And That’s How the Rent Gets Paid by Jeff Weiss & Richard C. Martinez was presented at The Kitchen on July 14-16. Director Brooke O’Harra spoke with Curatorial Intern Kayla Fanelli about the thrilling and complex experience of reengaging this long-running, serial work. Kayla ...Read On