No Longer Showing.
In the New York premiere of Work No. 1020, Turner Prize-winning artist Martin Creed choreographs a piece for classically trained dancers featuring live music. Using video and music composed by Creed and played by his band, Work No. 1020 is performed by five dancers who are restricted to using the five core classical ballet positions, each of which are ascribed a musical note. By limiting the dancers to the five positions, Creed establishes a tight framework in which to examine the changing effects of time, speed, and direction.
Dance programs at The Kitchen are made possible with support from Mertz Gilmore Foundation, The Jerome Robbins Foundation, The Harkness Foundation for Dance, and with public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Apr 17 2015
The scores of Eliane Radigue invite you to listen carefully and deeply particularly as the French electronic music composer creates a sonic ambience that seems to move as a continual, nuanced flow around the listener. In her performances at The Kitchen during the 1970s and 80s, however, Radigue e...Read On
Mar 24 2015
Naked, posed unapologetically on an auction block, Robbie McCauley stood and called on the audience to hear the brutal tale of her great-great-grandmother Sally’s rape. “Bid ‘em in!” bellowed her performance partner Jeannie Hutchins. The audience shifted uneasily in their seats as the uncanny dis...Read On
Mar 19 2015
Carnival of Sleaze is a title that grabs attention. A simple Google search brings up Guns ‘n Roses, GWAR and some touchy political accusations. The 1988 press release from The Kitchen’s Carnival of Sleaze promises much more than rock music and political satire. It claims “Carnival of Sleaze tes...Read On