No Longer Showing.
In the New York premiere of Work No. 1020, Turner Prize-winning artist Martin Creed choreographs a piece for classically trained dancers featuring live music. Using video and music composed by Creed and played by his band, Work No. 1020 is performed by five dancers who are restricted to using the five core classical ballet positions, each of which are ascribed a musical note. By limiting the dancers to the five positions, Creed establishes a tight framework in which to examine the changing effects of time, speed, and direction.
Dance programs at The Kitchen are made possible with support from Mertz Gilmore Foundation, The Jerome Robbins Foundation, The Harkness Foundation for Dance, and with public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Sep 06 2014
On September 8 Claudia La Rocco will read from her new book The Best Most Useless Dress, a collection of essays, poetry and criticism published by Badlands Unlimited. La Rocco spoke with Curatorial Fellow Katy Dammers about the creation of this collection and her thoughts on writing. Katy Dam...Read On
Aug 12 2014
A copy of the SoHo Weekly News from 1980 shows a grainy image from Dance Day at The Kitchen: in the shadowy space of The Kitchen’s old home at 484 Broome Street, two women dance in close proximity, facing away from each other. One runs behind with clasped hands raised overhead and the other winds...Read On
Feb 24 2014
In their newest live performance project, the Half Straddle ensemble led by artistic director Tina Satter will be in residence over an 8-month period at the Kitchen to create and rehearse the varying layers of their new piece which include video mise en scene, video interactions, a live choral sc...Read On