No Longer Showing.
Artists Anna K.E., Alina Tenser, and Viola Yeşiltaç have personal relationships with performance, which possesses varying degrees of presence within—and relevance to—their respective practices. The works created for No entrance, no exit gesture toward an in-between space shared by art with audiences, one which is freed from the designations of beginning and end, instead suspending an implied or inherent performance in time, and collapsing the physical states of objects, bodies, and surfaces onto a single plane.
Off-site performance: Alina Tenser will perform Vegetable, Be Soap! at JTT, 170a Suffolk St. on February 17th at 7:30pm.
Curated by Lumi Tan.
Opening Reception: Tuesday, January 13, 6pm-8pm
January 13—February 21
No entrance, no exit is made possible with support from The Andy Warhol Foundation for the Visual Arts, David Lewis, and Jennifer Vorbach, and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Image: Alina Tenser, Glider Shuffle, 2014
Sep 08 2017
To what extent does Marcel Duchamp figure into a narrative of The Kitchen’s history? That was the first question that came to mind when I was told I could contribute a post to The Kitchen’s blog, home to announcements and short essays from its curators and ruminations like these from its interns....Read On
Aug 15 2017
Dear Friends, During the past year, The Kitchen has regularly been gathering artists to reflect on the organization's role at an urgent moment in both art and culture. And among their most energizing comments is that artists—and especially emerging ones—are able to see themselves within the orga...Read On
Aug 11 2017
“All the ‘straight’ people were trying to get out of New York but all the freaks… we were trying to get in.” -Maripol in Blank City (2010) The Kitchen regularly invites summer interns to write blog posts related to their ongoing projects. While working in the archives, I was impressed by the ...Read On