No Longer Showing.
James Hoff + C. Spencer Yeh
James Hoff and C. Spencer Yeh are Brooklyn-based multidisciplinary artists working in the worlds of art and music. Hoff will present his BLASTER project – 808 electro-inspired electronic music created by infecting drum machine samples with computer viruses. Yeh will perform improvisations on violin, voice, and electronics, presenting his most recent electro-acoustic strategies while revisiting older autodidactic performance gestures.
An exhibition of Hoff's computer virus paintings is currently on view at Callicoon Fine Arts and a record of his BLASTER work has recently been released by the Berlin-based label PAN. Yeh will be a 2015 Artist-in-Residence at ISSUE Project Room and Primary Information will publish a new record of his vocal based recordings in February. His video works will enter distribution by Electronic Arts Intermix in 2015.
December 3, 8pm
Synth Nights is made possible with support from The Amphion Foundation, Inc., Mary Flagler Cary Charitable Trust, The Aaron Copland Fund for Music, and The Fan Fox and Leslie R. Samuels Foundation, and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Mar 20 2018
This year marks The Kitchen’s thirty-third year in Chelsea, where the organization has resided in the same brick structure since relocating to this now bustling neighborhood in the fall of 1985. A steady fixture in a vastly altered environment, The Kitchen has presented hundreds of performances, ...Read On
Mar 19 2018
Synth Nights: Composers Inside Electronics (March 29–31) celebrates forty years since CIE first performed at The Kitchen. In advance of this three-night series, Sara O'Brien spoke with founding members Phil Edelstein and John Driscoll about these early performances and the evolution of CIE over t...Read On
Mar 13 2018
On the occasion of the re-staging of Relatives nearly thirty years after it was first performed at The Kitchen, Constance DeJong and Tony Oursler spoke to Curatorial Fellow Rachel Valinsky about the history of the piece and their collaborative practice. Constance DeJong "After seeing me p...Read On