No Longer Showing.
Fine is a continuation of a body of work addressing the ontology of theatrical and exhibition spaces. Yve Laris Cohen asks architecture's lowest common denominators to both outperform and fall short of their usual duties. Curated by Matthew Lyons.
May 14-16, 8pm
Yve Laris Cohen: Fine is made possible with support from Jerome Foundation, Mertz Gilmore Foundation, The Andy Warhol Foundation for the Visual Arts, The Jerome Robbins Foundation, and The Harkness Foundation for Dance, and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Oct 26 2016
“To turn our private grief at the loss of friends, family, lovers and strangers into something public would serve as another powerful dismantling tool. It would dispel the notion that this virus has a sexual orientation or the notion that the government and medical community has done very much to...Read On
Aug 29 2016
If we define “analog” as a continuous variable which has no “truth” function, no negative, and no zero, and, “digital” as information composed of discrete values or states, then, moving from analog to digital requires not merely difference, but distinction. One is not equal to zero, human is not ...Read On
Aug 18 2016
In the current retrospective of experimental filmmaker Bruce Conner at the Museum of Modern Art, the film A Movie is the first work the viewer encounters. In 1980, during a festival entitled Filmworks , Conner's films were presented at The Kitchen for the first time. As part of this series, Bru...Read On