Programs & Exhibitions

Calendar

October 29, 2024

ON VIEW

Rhea Dillon Presented by The Kitchen

In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice

Viewing Hours: 10am–7pm CEST, Thursday–Sunday

Learn More
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.

ON VIEW

Code Switch: Distributing Blackness, Reprogramming Internet Art

Learn More
Tom Lloyd and apprentices in the artist’s studio in Jamaica, Queens, c. 1968. Photo by Reginald McGhee. Courtesy The Studio Museum in Harlem Archives.
Five dancers in grey unitards appear in a staggered line, each holding the same pose: right foot extended back on a diagonal, arms outstretched at an angle. The dancers are on grass in a park, with a row of tall grass behind them. Audience members stand and watch in the background.
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.

October 30, 2024

ON VIEW

Rhea Dillon Presented by The Kitchen

In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice

Viewing Hours: 10am–7pm CEST, Thursday–Sunday

Learn More
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.

ON VIEW

Code Switch: Distributing Blackness, Reprogramming Internet Art

Learn More
Tom Lloyd and apprentices in the artist’s studio in Jamaica, Queens, c. 1968. Photo by Reginald McGhee. Courtesy The Studio Museum in Harlem Archives.
Five dancers in grey unitards appear in a staggered line, each holding the same pose: right foot extended back on a diagonal, arms outstretched at an angle. The dancers are on grass in a park, with a row of tall grass behind them. Audience members stand and watch in the background.
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.

October 31, 2024

ON VIEW

Rhea Dillon Presented by The Kitchen

In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice

Viewing Hours: 10am–7pm CEST, Thursday–Sunday

Learn More
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.

ON VIEW

Code Switch: Distributing Blackness, Reprogramming Internet Art

Learn More
Tom Lloyd and apprentices in the artist’s studio in Jamaica, Queens, c. 1968. Photo by Reginald McGhee. Courtesy The Studio Museum in Harlem Archives.
Five dancers in grey unitards appear in a staggered line, each holding the same pose: right foot extended back on a diagonal, arms outstretched at an angle. The dancers are on grass in a park, with a row of tall grass behind them. Audience members stand and watch in the background.
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.

November 1, 2024

ON VIEW

Rhea Dillon Presented by The Kitchen

In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice

Viewing Hours: 10am–7pm CEST, Thursday–Sunday

Learn More
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.

ON VIEW

Code Switch: Distributing Blackness, Reprogramming Internet Art

Learn More
Tom Lloyd and apprentices in the artist’s studio in Jamaica, Queens, c. 1968. Photo by Reginald McGhee. Courtesy The Studio Museum in Harlem Archives.
Five dancers in grey unitards appear in a staggered line, each holding the same pose: right foot extended back on a diagonal, arms outstretched at an angle. The dancers are on grass in a park, with a row of tall grass behind them. Audience members stand and watch in the background.
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.

November 2, 2024

ON VIEW

Rhea Dillon Presented by The Kitchen

In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice

Viewing Hours: 10am–7pm CEST, Thursday–Sunday

Learn More
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.

ON VIEW

Code Switch: Distributing Blackness, Reprogramming Internet Art

Learn More
Tom Lloyd and apprentices in the artist’s studio in Jamaica, Queens, c. 1968. Photo by Reginald McGhee. Courtesy The Studio Museum in Harlem Archives.
Five dancers in grey unitards appear in a staggered line, each holding the same pose: right foot extended back on a diagonal, arms outstretched at an angle. The dancers are on grass in a park, with a row of tall grass behind them. Audience members stand and watch in the background.
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.

November 3, 2024

ON VIEW

Rhea Dillon Presented by The Kitchen

In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice

Viewing Hours: 10am–7pm CEST, Thursday–Sunday

Learn More
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.

ON VIEW

Code Switch: Distributing Blackness, Reprogramming Internet Art

Learn More
Tom Lloyd and apprentices in the artist’s studio in Jamaica, Queens, c. 1968. Photo by Reginald McGhee. Courtesy The Studio Museum in Harlem Archives.
Five dancers in grey unitards appear in a staggered line, each holding the same pose: right foot extended back on a diagonal, arms outstretched at an angle. The dancers are on grass in a park, with a row of tall grass behind them. Audience members stand and watch in the background.
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.