Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
September 10, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
September 11, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
September 12, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
September 13, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
September 14, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
