Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
ON VIEW
Code Switch: Distributing Blackness, Reprogramming Internet Art
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.
October 19, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
ON VIEW
Code Switch: Distributing Blackness, Reprogramming Internet Art
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.
October 20, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
ON VIEW
Code Switch: Distributing Blackness, Reprogramming Internet Art
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.
October 21, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
ON VIEW
Code Switch: Distributing Blackness, Reprogramming Internet Art
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.
October 22, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
ON VIEW
Code Switch: Distributing Blackness, Reprogramming Internet Art
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.
October 23, 2024
ON VIEW
At 47 Canal
The Kitchen in Focus
September 4–14; September 20–October 26, 2024; Gallery hours: Free, Tuesday–Saturday, 10am-6pm and by appointment
Sheryl Sutton, Paces, 1977. Performance view, The Kitchen, 484 Broome Street, February 9–10, 1977. Courtesy of The Kitchen Archive, c. 1971–1999, Getty Research Institute, Los Angeles (2014.M.6).
ON VIEW
Rhea Dillon Presented by The Kitchen
In Partnership with Berggruen Arts & Culture at Palazzo Diedo in Venice
Rhea Dillon, The Door of the Woman is the glass slipper (Atlas, in transit laid to rest), 2022. Wood, plastic string, metal and cut crystal, 156 x 44 x 21 cm. Courtesy of the artist and Soft Opening, London.
ON VIEW
Code Switch: Distributing Blackness, Reprogramming Internet Art
Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Beau Bree Rhee, Shadow of the Sea, 2022. Performance view, Madison Square Park, September 21, 2022. Photo by Walter Wlodarczyk.
