Kalup Linzy, As Da Art World Might Turn (the series) (Season 1) Episodes 1-6, 2013. Copyright Kalup Linzy. Courtesy Electronic Arts Intermix (EAI), New York.

Museum of Contemporary Art Detroit (MOCAD)

Code Switch: Distributing Blackness, Reprogramming Internet Art

On View: May 2-August 10

Museum of Contemporary Art Detroit (454 Woodward Ave, Detroit, MI 48201)

Time:

Gallery Hours: Wednesday–Sunday, 11am–5pm (Thursdays and Fridays 11am–8pm) | Public Programs to be announced

“The need to articulate where exactly the Black avant-garde is propagating is important for Black artists resisting exploitation and de-politicization.” — Anaïs (An) Duplan

Code Switch: Distributing Blackness, Reprogramming Internet Art is a multi-sited exhibition exploring and redefining the history of “Black data,” centering and celebrating contributions by artists of African descent to the rapidly advancing field of new media art and digital practice. Drawing its title from André L. Brock’s groundbreaking text Distributed Blackness: African American Cybercultures (2020), this exhibition explores the relationship between Black cultural production and the legacy of computation as a mode of machinic engagement and creative inspiration.

Venusloc (Vanessa Reynolds), Still from F.Y.G. (2022). Courtesy of the artist.

Initiated by The Kitchen, New York City’s center for experimental art and the avant-garde since 1971, the second iteration of Code Switch is presented in collaboration with the Museum of Contemporary Art Detroit (MOCAD). The exhibition builds on a historic archival timeline of radical visions from Black makers and thinkers and brings together an intergenerational roster of contemporary artists to unpack the correlation between body and machine, informed further by the “age of the internet.” With a wide range of disciplines and materials, these artists instruct toward, and intervene within, an expanded definition of “internet art,” indicating that art produced in an era of accelerated mass communication cannot be set apart from a discourse of cybercultures and technology.

Life mediated by screens has transformed ways of seeing and—central to this—has transformed, mutated, and modified Black cultural production itself. Code Switch is divided into three “domains”: the first is the time period pre-1960, the second is 1960-1990, and the third takes the view of 1990 to present day. The exhibition at MOCAD follows the initial two domains of the project that debuted at the Schomburg Center for Research in Black Culture in Harlem, New York City last fall (October 15–December 10, 2024). Code Switch surveys how artists and creative technologists rattle the promise of cyberspace as an equitable site of representation and liberation, upending it as an undercurrent and generative force for both inquiry and resistance.

The first of its kind internationally, Code Switch: Distributing Blackness, Reprogramming Internet Art is a multi-sited exhibition exploring and redefining the history of “Black data,” centering and celebrating contributions by artists of African descent to the rapidly advancing field of new media art and digital practice. Drawing its title from André L. Brock’s groundbreaking text Distributed Blackness: African American Cybercultures (2020), the exhibition explores the relationship between Black cultural production and the legacy of computation as a mode of machinic engagement and creative inspiration. This exhibition will take on two components—the first part, a historic archival timeline as presented by The Kitchen in collaboration with The Schomburg Center for Research in Black Culture in Fall 2024 (October 15–December 19, 2024); the second part, a contemporary group show, to take place Spring 2025 (May 2–August 10, 2025) in partnership with the Museum of Contemporary Art Detroit (MOCAD).

Exhibition identity by Pacific.

Participating artists:

American Artist, manuel arturo abreu, Minne Atairu, Xenobia Bailey, Neta Bomani, Danielle Braithwaite-Shirley, chukwumaa, Tony Cokes, Shawanda Corbett, Sofía Córdova, Taína Cruz, A.M. Darke, Stephanie Dinkins, L. Franklin Gilliam, Cameron A. Granger, fields harrington, Auriea Harvey, Juliana Huxtable, E. Jane, Devin Kenny, Kalup Linzy, Pope.L, Nandi Loaf, Pastiche Lumumba, Julie Mehretu, Marilyn Nance, Mendi + Keith Obadike, Ayodamola Okunseinde, Sondra Perry, Howardena Pindell, Venusloc (Vanessa Reynolds), Tabita Rezaire, Cameron Rowland, Kahlil Robert Irving, RaFia Santana, Bogosi Sekhukhuni, Martine Syms, Wes Taylor, -{ john-henry }-[ thompson ], Muriel Tramis, Jack Whitten, and others to be announced.

Please check back soon for further updates.

Code Switch: Distributing Blackness, Reprogramming Internet Art is organized by Legacy Russell, Executive Director & Chief Curator, and Angelique Rosales Salgado, Curatorial Assistant, with contributed research by Tsige Tafesse, 2023-2024 Curatorial Fellow, and Kyla Gordon, 2024-2025 Curatorial Fellow, The Kitchen. The third domain as presented at MOCAD is co-organized in collaboration with Jova Lynne, Co-Director and Artistic Director, and Isabella Nimmo, Associate Curator, MOCAD. Exhibition design by Pacific.

Code Switch is made possible through generous project-specific support from the Teiger Foundation, the National Endowment for the Arts, the Ford Foundation, the Andrew W. Mellon Foundation, as well as The Kitchen’s Board of Directors, Global Council, Leadership Fund, and the Director’s Council.

ABOUT MOCAD

The Museum of Contemporary Art Detroit (MOCAD) presents exhibitions and programs that explore the best of contemporary art, connecting Detroit and the global art world. MOCAD focuses on art as a means to nurture social change and human understanding, reflecting our community. We encourage innovative experimentation by artists, musicians, makers, cultural producers, and scholars to enrich all who participate and to educate visitors of all ages in the power of art. Whether from Detroit or worldwide, we welcome creative voices who can guide us to an equitable and inclusive future. We believe that art can change us, and it’s our responsibility to hold a space where challenge, acceptance, hope, and beauty can coincide.

FUNDING SUPPORT & CREDITS

The Kitchen’s programs are made possible in part with support from The Kitchen’s Board of Directors, The Kitchen Global Council, Leadership Fund, and the Director’s Council, as well as through generous support from The Amphion Foundation, Inc., Bloomberg Philanthropies, The Aaron Copland Fund for Music, Cowles Charitable Trust, The James and Judith K. Dimon Foundation, Jerome Robbins Foundation, Ford Foundation, Howard Gilman Foundation, The Harkness Foundation for Dance, Marta Heflin Foundation, Lambent Foundation Fund, a fund of Tides Foundation, The Andrew W. Mellon Foundation, Mertz Gilmore Foundation, New Music USA, The Royal Norwegian Consulate General in New York, Ruth Foundation For The Arts, The Fan Fox and Leslie R. Samuels Foundation, Simons Foundation, and Teiger Foundation, Andy Warhol Foundation for the Arts; and in part by public funds from the Manhattan Borough President, the National Endowment for the Arts, New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

The Kitchen acknowledges the generous support provided by the Collaborative Arts Network New York (CANNY). As a coalition of small to mid-sized multidisciplinary arts organizations, CANNY is committed to strengthening the infrastructure of arts nonprofits throughout New York.

For more information about CANNY, please visit https://can-ny.org/.

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