Efraín Rozas: Still, March 22–April 18, 2021, Installation view, Queenslab. Photo ©2022 Paula Court.

Efraín Rozas

Still

On View: April 16-April 19, 2021

The Kitchen at Queenslab (1611 Cody Avenue)

Time:

Friday, April 16: 6 pm and 8 pm, Saturday, April 17: 4 pm, 6 pm, and 8 pm, Sunday, April 18: 5 pm and 7 pm

During a residency hosted by The Kitchen at Queenslab, Peruvian composer, performer, and software developer Efraín Rozas will create a new sound installation titled Still which asks what we can achieve if we acknowledge the realities of cyclical, pendular, parallel, static, and virtual time. Still aims to generate a synesthetic experience of silence in which the act of listening is not isolated from other senses. With lighting design by Madeline Best.

Curated by Lumi Tan.

BIO

Efraín Rozas is a Peruvian interdisciplinary artist working with Latin American music, robotics, sculpture and installation. He holds a PhD in composition and ethnomusicology from New York University, and is a 2023-2024 Jerome Hill Artist Fellow. He has published Fusión: a soundtrack for Peru, a publication, video documentary, and music compilation; and has released several albums internationally via Names You can Trust, the Ethnomusicology Institute of Peru, the Embassy of Spain and Buh Records

FUNDING SUPPORT & CREDITS

Efraín Rozas: Still is made possible with endowment support from Mary Flagler Cary Charitable Trust; annual grants from The Amphion Foundation, Inc., The Aaron Copland Fund for Music, Howard Gilman Foundation, The Fan Fox and Leslie R. Samuels Foundation, and Joseph and Joan Cullman Foundation for the Arts; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Season programming is also made possible with support from The Kitchen’s Board of Directors and The Kitchen Leadership Fund. To learn more about the Leadership Fund, click here.

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