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Miguel Gutierrez, Age & Beauty Part 1: Mid-Career Artist/Suicide Note or &:-/, photo by Ian Douglas.

Lex Brown and Miguel Gutierrez

Across the Table

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Rhea Dillon: “(Working Title) Browning 2025,” 2021. Image courtesy of the artist.

Rhea Dillon

(Working Title) Browning 2025

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Will Lee

All it does is turn

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Lex Brown

Foccaciatown:Reloaded

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In a dark room with a video projection on the rear wall, Brian Fuata stands near a mic stands and handles a white sheet. Yellow text reading "diving gushing water sounds" appears at the top of the image. To the right of Brian, white, italicized text reads, "Aodhan wrote me a poem about ghosts doing their laundry."

Brian Fuata

of a house besieged (preposition tweaked)

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Christelle Oyiri

OBLIMEMBER

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Still from Autumn Knight, Performance Recording, 2020

Autumn Knight

Residency Project

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Jessica Hagedorn, Tenement Lover: (no palm trees/in new york city), 1981. Performance view, The Kitchen. ©1981 Paula Court.

Constance DeJong, Jessica Hagedorn, Carl Hancock Rux, and Matvei Yankelevich

Literature at The Kitchen: A Roundtable

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Jawole Willa Jo Zollar, Hair Stories, photo by Bette Marshall.

Jawole Jo Willa Zollar and Kaneza Schaal

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Allana Clarke

Of My Longing and My Lack

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Still from  Umber Majeed, Excerpts from Trans-Pakistan Zindabad (Long Live Trans-Pakistan), Single-Channel Animation, 21:46, 2019-Ongoing.

Umber Majeed

Trans-Pakistan Zindabad

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Brontez Purnell by Laylah Amatullah Barrayn for The New York Times, 2022.

Jeremy O. Harris and Brontez Purnell

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On a patch of grass and dirt stands a sculptural installation of three white wall panels arranged to form a triangle. The panels have colorful and patterned abstractions painted on them.

June Canedo de Souza

Every Memory Belongs to a Myth

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Two hands hold open a handmade book that has cotton forming a border around an archival B&W image of people working in the cotton fields. In the background, the same archival image is shown.

Neta Bomani

Dark matter objects: Technologies of capture and things that can’t be held

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Sadie Barnette, Fancies, 2022. Powdered graphite and color pencil. Image via Jessica Silverman.

Sadie Barnette and Meriem Bennani

Across The Table

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A.J. McClenon and Katherine Simóne Reynolds

Gestures Investigating the Good and Not So Good In Relationships – As Shown to Us by Blondell Cummings

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Film still from Abbey Williams 'Overture,' 2020.

Abbey Williams

Intermission and Overture

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Still from from Amit Desai, Cross Eyed, 2021. HD videos. Director of Photography: Gabriel Noguez, Editor: Tim Watson.  Courtesy of the artist.

Amit Desai

Anthrodrama

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